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Beauty School, a series from T Magazine, answers common beauty questions with help from creative people who’ve become experts on the job. Sign up here to find us in your inbox once a month, and send any questions of your own to [email protected]
Beauty School answers common beauty questions with help from creative people who’ve become experts on the job. Sign up here to find us in your inbox once a monthfree spins bonus, and send any questions of your own to [email protected]. “Don’t do
With sofas, comfort comes first. But a couch typically “occupies prime real estate” in a room, says the decorator Alexandra Pappas, 47, of Pappas Miron Design — meaning it’s worth thinking about its visual appeal, too. Of course, there’s the standar
I remember being in fifth grade [on New York’s Upper East Side] and being exhausted from trying to pretend to be normal all the time. Once I went to middle school, that’s when the freak was unleashed: I’d go to St. Marks Place [in the East Village]
Although it’s easy to feel alienated by the opaque processes behind artificial intelligence and fearful that the technology isn’t regulatedwin real money slots, the artists Holly Herndon and Mat Dryhurst want you to know that A.I. can be beautiful.
Women’s artistic gymnastics may be one of the few Olympic events to feature music and choreography, but it doesn’t mean the sport takes it truly seriously. In 2016, in the middle of the Rio Games, the specialist publication Dance Magazine declared t
As soon as DD Dorvillier walked onto the stage of the Chocolate Factory Theater on Thursday night, you knew you were in the presence of somebody long immersed in her craft, capable of doing a lot with a little. Through the simple act of standing sti
This week in Newly Reviewed, Travis Diehl covers Luis Fernando Benedit’s pop-psychedelic pieces, Andres Serrano and Benjamin Bertocci’s rough paintings, Michael Iveson’s reverse A.I. and Martina Cox’s watercolor bodices. Tribeca Luis Fernando Benedi
‘Trap’ Stream it on Max. M. Night Shyamalan’s latest psychological thriller is so preposterous it makes “The Front Room,” my pick for the dumbest horror movie of 2024, look like “The Shining.” But unlike “The Front Room,” “Trap” takes itself very uns
In the fall of 2020, the arts patron Allison Berg listened to the book “From Generosity to Justice: A New Gospel of Wealth” by the Ford Foundation president Darren Walker. She had what she called a lightbulb moment, “hearing Darren speak to the diff